Dominique James, Photographer

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Homeless, no more …

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Screenshot 2014-02-28 10.50.45

For a longest time, my pictures online can be seen here, there and everywhere, but in fact, nowhere. I can point you a link here, there and everywhere, but where to really look can get really very confusing, really very fast.

The way it’s been going on, and the way I’ve been carrying on, you can say that I’ve been squatting online in too many places for far too long.

Of course, I’ve always wanted to have one of those incredibly beautiful, professional-looking online photography websites that many famous photographers have, where you can go and see all of my pictures. And believe me, it’s not because for the lack of trying. I tried it this way and that way, and then another way. But it just didn’t happen quite like I wanted it to.

I’ve known all along since early 2008, when I was living in New York City, that there is this one perfectly elegant way for me to do it.

The very first time (and the only time) I attended a group meeting of a small, special-interest photo club in New York that I was thinking of joining in the fall of 2008, Allen Murabayashi happened to be the guest speaker. He gave a talk about the best way for a professional photographer to establish an online presence. Yes, he was pitching PhotoShelter, of which he is the co-founder and chairman, but everything he said made very apparent sense to me. His talk definitely resonated with me, and I must have decided more than a hundred times thereafter that I’m going to go with PhotoShelter. Of course, it helped that Allen was so good-looking in his freshly-pressed white shirt when he delivered his talk.

I don’t know how many of the dozen or so people listening to Allen that afternoon signed up with PhotoShelter’s service, but I did sign up, and I did try their 14-day free offer. However, I didn’t follow through. Somehow, I was skeptical and hesitant, and I resisted the idea for as long as I can. I was always coming up with excuses, which was (thinking about it now), unnecessary and senseless. But all those times, through several photo projects and a number of photo industry events where PhotoShelter was represented, from New York to Atlanta, I never stopped thinking and considering an online presence with PhotoShelter.

In fact, I went on to constantly compare PhotoShelter with the many other online offerings of doing the same thing; and the more I did, the more I was convinced that going with PhotoShelter was not only the right way, but it was the best way. Always, and in comparison, all the other services fell short.

And so, about 5 years down the road, fast-forward to today, I told myself, enough of putting up pictures here, there and everywhere, but instead put everything together already in one, single place—a certain place online where you can see all of my pictures all at once, both new and old.

That place online, my place, on PhotoShelter, is now up. You can see it at

With PhotoShelter’s Beam, each and every photograph in my portfolio is beautifully exhibited. But other than just providing an “exquisite wrapper” for my pictures online, PhotoShelter is doing many behind-the-scenes heavy-lifting that makes it easy and practical for an independent professional photographer such as myself to have a really amazing online presence. What’s more is that I can now focus and concentrate on being a photographer. And, more importantly, viewers now have a beautiful experience looking at my pictures, and directly from within my website, an easy, convenient and safe way of ordering photo prints and licensing the images for personal, editorial and commercial use.

Yup, my online squatting days are over.  I’m proud of my new online home. With PhotoShelter, my pictures are homeless no more.


Simple techniques for shooting close-up photos

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Samantha Waidler, TechHive:

Close-up photos pull you directly into a subject so you can examine its details from a unique perspective. A close-up tends to focus on a specific thing—an insect, a plant, a flower, or a face, for example. Or it can highlight something we don’t usually pay much attention to, but which turns out to be captivating, dramatic, or revealing when intimately

Written by dominiquejames

December 27, 2012 at 9:05 AM

Ram, a New York model’s portfolio

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Ram • Portfolio

The main title page of Ram's New York fashion portfolio available for viewing online.

I enjoy working with professional fashion models. I love the idea of creating all sorts of interesting looks. It’s hard work for sure, but at the same time it’s undeniably pure play. Working with a expert team of innovative and professional hair and makeup artists, fashion stylists and some of the fashion designers themselves, the whole process has been a thrill. It is all about bringing imaginative fantasies to visually believable and oddly compelling realities.

I particularly had a blast shooting Ram, one of Ford New York’s prominent Asian male models. In this portfolio, we recently created all sorts of looks, from casual to formal, with the multifaceted Big Apple as the grand backdrop. Take a look at Ram’s complete 50-photo NYC fashion portfolio set. Click here.

In pursuit of …

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On Golden Pond, a fine art photograph by Dominique James

"On Golden Pond," a fine art photograph by Dominique James featured in Zatista.


Every now and then, as I sometimes foray aimlessly into the endless wilderness that is the Internet, I stumble upon gems that serves to enrich my experience as a photographer and as a visual artist. I’m sure my experience is not unique.

What with the incredible wealth of information all around, it is hard to imagine anyone in today’s world living a sustained creative life in a vacuum. However, I can still say that the way I go through the morass of materials, the meandering path that I take, the serendipitous nature of my discoveries, the mental coagulation that takes place and whenever things fall into place, are all uniquely mine.

Creativity, like most everything in life, must be nourished and nurtured in order to grow. And what with the Internet’s big pipes, among other things, we are mercilessly subjected by the strong currents of great swirling forces of creative influences all around us—all the time. There’s almost no way of turning it off.

About the only reasonable thing we can do with the deluge of information is to allow ourselves to open up to the countless bits that scurry along and pluck upon those which we feel matters the most. It’s almost like picking the pieces of huge puzzles floating aimlessly all around in a huge vat of information pool.

So, we build our lives today by bits and bytes, actually just like for the most of our past, but in a more intensely interesting way than ever before.

[Note: To view some interesting results of the visual, and sometimes philosophical, mish-mash of such “influences,” visit the Dominique James online gallery of fine art photographs over at Zatista. Thank you.]

Food, glorious food …

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Sisig, one of the Filipino-themed all-time favorite specialty dishes served at the newly opened Side Grill Restaurant in Jersey City, New Jersey.


When I was starting out as a professional photographer, my young and impressionable mind was blown away the very first time I heard that photographers[1] use mashed potatoes when photographing ice cream. It was a lightning bolt of a revelation! It totally made sense to me since the structure and consistency are visually the same, and mashed potatoes never melts—not even under very hot lights.

For good or bad, this bit of handy knowledge became part and parcel of helpful and useful things that I carry in my head, as if some kind of cardinal or even Biblical truth, a manna from heaven. Since then, the way I look at photographs of food, and even my relationship with food, has forever changed.

I don’t remember the name of the first person who told me about using mashed potatoes for an ice cream. Through the years, as if a mantra, this nugget of wisdom would be repeated to me often enough by all and sundry, many of whom were not even photographers. Surprisingly, hard as I try to recall, the one true master of food photography himself, Mark Floro[2], never ever mentioned this to me, not even once in any of our many conversations[3]. In any case, outside of the rarified domain of food photography, does anyone really care to know what a photograph of an ice cream is really made of as long as it looks deliciously real?

As my career progressed, and though my expertise, interest and focus leaned towards portraiture and fashion, I was lucky enough to have been entrusted with taking pictures of food for commercial campaigns of several fastfood chains and fine dining restaurants[4]. In almost all of these shoots, except for a trick or two here and there, I actually photographed real, edible food. Even the one time I took pictures of Ilustrado Restaurant’s[5] famous gourmet Sampaguita ice cream, we used the real thing[6], not mashed potatoes.

Still, even with a number of professional food shooting experience tucked into my increasingly widening belt (all from eating), I still somehow cannot help but doubt the authenticity of sumptuous-looking dishes photographed by others that I see in ads. In my skepticism, I even try to discern fakery whenever I look at pictures of food, but alas, none to successfully. Perhaps the idea of delicious dishes is too overpowering on an empty stomach?

I was once teased (or dared? or challenged?) by someone who is well aware of my terrible, terrible love of photography. If I had to choose one over the other, which would I prefer: photographing food or eating them? What a torturous question! This is one of the few questions that actually stopped me in my tracks and take the time to answer. I just hope no one ever thinks of torturing and embarrassing any of the Ms. Universe beauty pageant finalists in the Q&A portion with a question like this. To me at least, this is one of a deep probing that ranks high up with all the other questions on the mystical nature of humanity and the universe.[7]

At first, of course, taking the high road, I desperately wanted to answer that I enjoy photographing them more than eating them. After all, I consider myself to be an artiste; and artistic expression is what I live and die for, by culinary standards or not. I mean, choosing to photograph food rather than eat them seems like the right kind of answer—the one that judges of the Ms. Universe competition would certainly think as the right answer.

That’s the “intellectual” side of me rationalizing the whole deal. But then, who am I kidding? I mean, I’m really more concerned with what I put in my mouth than taking pictures of them. If I might confess one thing right here, I actually never bother taking pictures of food (no matter how incredible the presentation) before I eat them. I always end up giving in to the base instinct of my human nature, which, after all, is universal, and therefore, relevant to everyone. I eat them! So, the fact remains, I like eating more than photographing food.

But hey, once in a while, I get the chance to actually do both. Here’s the thing: I get to eat the food after the shoot! Most of it, anyway. For me, that is what’s actually fun about photographing food—taking pictures of it, and then eating it. What could possibly be better?[8]

I recently photographed the dishes being served by a newly opened Filipino restaurant in Jersey City, New Jersey, called Side Grill. Located right smack in the middle of West Side Avenue, where many of the half-a-million Filipinos living in that area are clustered tightly into a community, Side Grill serves some of the most awesome all-time favorite and all-time popular Filipino dishes originating from the different regions of the Philippines. Chef Herman Villadolid kept plating one exquisite dish after another which, in the end, resulted in an awesome culinary snapshot of the authentic Filipino cuisine. The pictures, taken as a whole, represented almost all of the major typical Filipino culinary experience not only in the Philippines, but of all Filipinos whichever corner of the globe they happen to work, or live, or be.

The thing about Filipino food is that it is truly comforting. Each dish has a distinct signature taste that is familiar to the palette. As Filipinos, we know how it should taste like, even as we compare and reference it to how we remember the taste from countless others that we’ve no doubt tasted in the past. We judge a particular food against the taste of how our parents, grandparents, or cousins, aunts and uncles cook it, based on the family’s heirloom recipe, or we compare its taste against that of a favorite cafeteria, fastfood, or turo-turo[9] restaurant. We compare it to our own cooking. And we form snap judgement, whether it is good or not. But none too harshly, I would suppose, because we still eat it, no matter how terrible we think it tastes. There is a sense of comfort to eating the familiar that it’s almost a solemn communion. It beckons to us, it calls us, it makes us, all at once, taste home.

[Note: The food photography project for Side Grill’s first major promotional campaign was done with Dennis Altobar, Together, we’ve photographed on location almost 50 mouth-watering dishes within the span of a week. We’ve also photographed Side Grill’s restaurant interior and exterior during the day, and at night time. Many of the pictures are now featured in Side Grill’s beautiful and elegant website, serving as a counterpoint to the fantastic logo designed by Mark Gonzales[10]. Some of the food photographs are individually featured as the main visual element of full-color posters and all other collateral promo materials designed by the creative artists of The Studio. These posters and promo materials has been professionally printed by Marisse Panlilio[11] of MPGrafx.]

[1] Together with an army of hardworking food stylists who collaborate with them on commercial food photography.
[2] I used to sneak in Mark Floro’s food photography workshops next door every moment whenever I’d get bored from the nude photography workshops I used to conduct at the Philippine Center for Creative Imaging.
[3] We were probably too preoccupied with talking about so many other topics of mutual interest to have time to actually talk about something like food photography!
[4] I’ve done food photography for Alfredo’s Steakhouse, Illustrado Restaurant, T.G.I.F., among others.
[5] Ilustrado Restaurant is located in the historic district of Intramuros in Manila.
[6] Never mind if it kept melting and we had to do it over and over again!
[7] Ok, that’s hyperbole right there, but it is what it is to me.
[8] I can think of one, but never mind.
[9] The word “turo-turo” means “to point at.” This is a kind of restaurant where you simply point out to the attending server which dishes you’d like to order.
[10] You can view the works of Mark Gonzales at his website and you can email him at
[11] Marisse Panlilio can be reached at

Great minds visualize alike …

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The Tale Of Two Buildings

A Tale Of Two Buildings: A side-by-side comparison of two photo images of two different buildings to show its striking similarities, as well as differences.


“Great minds think alike!”

No doubt, it is a positive and uplifting truism, one that is said out aloud and a lot—mostly as unbridled expression of happy coincidences in moments that warrants it. Simple and direct, it is a phrase that aptly punctuates, with a significant exclamation point, many of life’s suddenly joyous eventualities.

However, woe unto us mortals, because unfortunately, no one actually remembers or knows from whom and from where that oft-quoted phrase originally came from. Lost in the mist of time is the definitive identity of the one wise man who first uttered it. In a sense, the very idea in itself, has become public domain[1]. There has been a number of brave attempts at mindful attribution, but in these days of the wild and wooly Internet, such can be deemed half-hearted and none too credible. So, reliably, whenever it comes up, it is best generally attributed to none other than “Anon.”[2]

I bring up this fascinating phrase because it was what immediately came to mind, perhaps as a matter of rightful inspiration, when not too long ago I was absently browsing the Internet, that I saw, for the first time, a picture that struck a deepest essence of my core[3].

It was a picture of a building.

I’ve seen countless pictures of buildings, some ornate, some historic, some, well, looks like—a buildings, or not. This picture of the building I saw was quite simple. But what struck me with this particular photo was that it looked almost the same as the picture of a building I recently photographed[4]. It’s not exactly the same, as you can see in the photo above, but despite the obvious differences in angle, theme, point-of-view, color, treatment, among others, I couldn’t help but be struck by its somewhat uncanny and essential similarity.

As such, I find it fascinating. To me at least, it’s a marvel of coincidence. I mean, how often can such a thing happen? Having been a professional photographer for more than 25 years, and I have photographed all sorts of things, and I actually can’t remember when was the last time something like this has happened.

The image I photographed (on the left) was for a commercial assignment, the facade of a newly named Filipino restaurant in Jersey City, New Jersey, called “Side Grill.”[5] Using an ultrawide, full-frame lens, I photographed it right in the front corner of the restaurant’s facade, in the middle of winter, as the last of the day’s light was about to be enveloped by darkness. The image was post-processed on Apple’s Aperture 3 and Adobe Photoshop CS5. The image that looks oddly and strangely similar (on the left), is a fine art photo taken by another photographer whom I personally do not know[6], with an iPhone’s camera that showed a similar angle and composition, but of a different building, in a different location, and post-processed in an entirely different way.

When confronted with two or more similar-looking photographs, it is but natural to make immediate comparisons and judgements. That seems to be the natural tendency, at least when looking at comparable pictures. And, I can understand and see why viewers might quickly decide which one they like best. But, I just want to make sure and say that I’m not showing these photos side-by-side because I am asking for you to decide which photo you like best, other than to share with you its striking similarity, perhaps in the same way that I first saw it when I did.

If you think about it, it actually doesn’t make sense to decide if one is better than the other. That kind of judgement, to say the least, is subjective. Not only is it notoriously dependent on the individual eye of the beholder (acting naturally as its own curator), but we also have to take into consideration the circumstances and the primary purpose with which the photograph was taken. In all and in particular cases, enveloped in a properly defined context, one will always be suitably better than the other.

In any case, it is not every day that I come across an amazing serendipity such as this. I’m happy I came across the other photographer’s picture, and I don’t mind discovering more similarities among my work[7] with that of others.

And so, just to paraphrase the line, “great minds think alike,” at this point I’m inclined to say that “great minds visualize alike!”

Note: I’ve had the delightful pleasure of photographing Side Grill’s delicious food for their first major promotional campaign. The entire shoot project was done and completed with a collaborator, Dennis Altobar. Together, we’ve photographed (on site) almost 50 mouth-watering dishes prepared by noted Filipino chef, Herman Villadolid, within the span of a week. (And that was quite a treat!) We’ve also photographed Side Grill’s restaurant interior and exterior during the day, and at night time. Many of the pictures are now featured in Side Grill’s beautiful and elegant website, serving as a counterpoint to the fantastic logo designed by Mark Gonzales[8]. Some of the food photographs are individually featured as the main visual element of full-color posters and all other collateral promo materials designed by the creative artists of The Studio. These posters and promo materials has been professionally printed by Marisse Panlilio[9] of MPGrafx.

[1] Which, if you think about it, isn’t a bad idea at all!
[2] Anon, if you must know, sands for anonymous.
[3] Ok, that’s definitely hyperbole right there, but I can’t resist.
[4] Together with Dennis Altobar.
[5] Side Grill Restaurant is located at 561 West Side Avenue, Jersey City, New Jersey 07304. You can call 201-360-2161 for inquiries. Visit their website at for more.
[6] I saw the image on Tumblr.
[7] Including the works of my collaborators such as Dennis Altobar.
[8] You can view the works of Mark Gonzales at his website and you can email him at
[9] Marisse Panlilio can be reached at


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Chopsuey, one of the fabulous signature dishes from the new Side Grill Restaurant in Jersey City, New Jersey, photographed by Dominique James and Dennis Altobar.


“When we no longer have good cooking in the world, we will have no literature, nor high and sharp intelligence, nor friendly gatherings, nor social harmony.” – Marie-Antoine Caréme, Chef (1784-1833)

The population of the Filipino community in Jersey City, New Jersey, has steadily grown through the years. The latest count estimates more than half-a-million who now takes up both permanent and long-term residence there. And from all indications, the population is expected to rise in the years to come.

A very good (and quite visible) indication of this growth can be seen in the steady increase of Filipino-owned establishments in the area. Stores, groceries, restaurants, among others, run mostly by enterprising Filipinos, pop up alongside all other small businesses serving the community.

One such new and exciting venture is Side Grill.

Side Grill, located at West Side Avenue and which opened just three months ago, is a contemporary Filipino restaurant serving many of the most popular and well-loved dishes from almost all major regions of their homeland, The Philippines. There are already a number of well-established Filipino and Asian-themed restaurants lining up West Side Avenue. But Side Grill, as the newest addition, is yet another visible Filipino “food culture” stamp on the area.

While Side Grill is decidedly and authentically Filipino, serving an amazing breadth and depth of selections featuring mostly all-time favorite dishes and catering primarily to the Filipino palette (a taste of home, so to speak), this is not to say that they are exclusively serving the Filipino clientele. As a matter of fact, since Side Grill threw its doors open, the restaurant has enjoyed very supportive patronage from Americans and a curious mix of people hailing from various nationalities. At any time, it is not unusual to see Americans and people of different nationalities share and partake meals with Filipinos. This is quite an unexpected but very welcome development since the Filipino cuisine, which is mostly an exotic fusion of Western and Oriental influences, has yet to enjoy as much popularity as other Asian cuisines, particularly that of the Thai, Japanese and Chinese cuisines.

So, what draws all sorts of people to Side Grill? The delicious food prepared by chef Herman Villadolid and his all-Filipino kitchen staff? The beautiful and colorful ambience of the dining area? The trademark and almost-patented happy and warm welcoming smiles of the Filipinos?

Most likely, it’s a magical combination of all of the above.

[Note: I’ve had the delightful pleasure of photographing Side Grill’s delicious food for their first major promotional campaign. This photo shoot project was done with Dennis Altobar. Together, we’ve photographed almost 50 mouth-watering dishes within the span of a week all on location. We’ve also photographed Side Grill’s restaurant interior and exterior during the day, and at night time. Many of the pictures are now featured in Side Grill’s beautiful and elegant website, serving as a counterpoint to the fantastic logo designed by Mark Gonzales. Some of the food photographs are individually featured as the main visual element of full-color posters and all other collateral promo materials designed by the creative artists of The Studio. These posters and promo materials has been professionally printed by Marisse Panlilio of MPGrafx.]

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