Dominique James, Photographer

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Airscapes!

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One of the images from a set of 22 photographs taken from the window seat of an airborne commercial jetliner.

Airscapes! (Photography by Dominique James)

At the airport before boarding, while checking out the weather on my flight’s path with the iPhone, it did cross my mind that I might get the chance to take one or two decent pictures through the airplane’s small window; but I didn’t really make any plans for serious picture-taking. The best I could ever hope for was that I might be able to catch some interesting cloud formation or capture a really nice sunset view taken from an airborne aircraft, and I’d be perfectly happy with that.

It just so happened that I got a great window seat with an expansive enough view, and luckily at that time, I was also attentive enough to look out at the right moment—that’s how I was able to realize the readily unfolding photographic opportunity before me. The photographer’s studied reflex, from years and years of professional shooting experience, kicked in and simply took over.

I am a hundred-and-one percent sure of the fact that I’m not the first person (and also most certainly not the last!) to look out an airplane’s window while in a cruising altitude, to snap pictures.

With the ever-changing panoramic landscape below, looking a bit more grand from an elevated vantage point, all the while chasing the daylight time zone by time zone, I couldn’t resist turning on my iPad’s camera (the only thing conveniently available on hand at that time since I happen to be reading a magazine on it) to click away into timeless photographic stillness the magnificent views before me.

I could only hope I didn’t annoy my immediate seat mates at the strange body contortions I was doing as I tried to shift around (which might have seemed to them an uncoordinated acrobatics in a seat-belted chair) not only in order to get the photo compositions right but also to avoid cabin light leaks and reflections, flares and glares and all that, while shooting through the thick, heavily built window glass. As we jetted towards our destination, I took as many shots as I can in under an hour, praying I didn’t miss anything good on the flight’s path.

What I saw in that tiny window of photographic opportunity captivated me. I was in total awe of nature’s endlessly breathtaking revelations. It felt as if Mother Earth herself was directly and personally communicating with me. And though I cannot presume to fully comprehend what she was actually saying, I was utterly taken in by her radiant beauty and majesty. That feeling has never left me since.

I’m very pleased to share these with you—come, take a look at a set of 22 photographs I call “Airscapes” at http://bit.ly/1neW8XU.

And also, if you haven’t already, please consider signing up (and do invite others to sign up as well) to my brief monthly photography email newsletter at http://eepurl.com/QBGCv. Thanks!

[Note: All photos from the official http://www.dominiquejames.com photography website are now directly available for download and print order for personal, editorial, and commercial use.]

Homeless, no more …

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Screenshot 2014-02-28 10.50.45

For a longest time, my pictures online can be seen here, there and everywhere, but in fact, nowhere. I can point you a link here, there and everywhere, but where to really look can get really very confusing, really very fast.

The way it’s been going on, and the way I’ve been carrying on, you can say that I’ve been squatting online in too many places for far too long.

Of course, I’ve always wanted to have one of those incredibly beautiful, professional-looking online photography websites that many famous photographers have, where you can go and see all of my pictures. And believe me, it’s not because for the lack of trying. I tried it this way and that way, and then another way. But it just didn’t happen quite like I wanted it to.

I’ve known all along since early 2008, when I was living in New York City, that there is this one perfectly elegant way for me to do it.

The very first time (and the only time) I attended a group meeting of a small, special-interest photo club in New York that I was thinking of joining in the fall of 2008, Allen Murabayashi happened to be the guest speaker. He gave a talk about the best way for a professional photographer to establish an online presence. Yes, he was pitching PhotoShelter, of which he is the co-founder and chairman, but everything he said made very apparent sense to me. His talk definitely resonated with me, and I must have decided more than a hundred times thereafter that I’m going to go with PhotoShelter. Of course, it helped that Allen was so good-looking in his freshly-pressed white shirt when he delivered his talk.

I don’t know how many of the dozen or so people listening to Allen that afternoon signed up with PhotoShelter’s service, but I did sign up, and I did try their 14-day free offer. However, I didn’t follow through. Somehow, I was skeptical and hesitant, and I resisted the idea for as long as I can. I was always coming up with excuses, which was (thinking about it now), unnecessary and senseless. But all those times, through several photo projects and a number of photo industry events where PhotoShelter was represented, from New York to Atlanta, I never stopped thinking and considering an online presence with PhotoShelter.

In fact, I went on to constantly compare PhotoShelter with the many other online offerings of doing the same thing; and the more I did, the more I was convinced that going with PhotoShelter was not only the right way, but it was the best way. Always, and in comparison, all the other services fell short.

And so, about 5 years down the road, fast-forward to today, I told myself, enough of putting up pictures here, there and everywhere, but instead put everything together already in one, single place—a certain place online where you can see all of my pictures all at once, both new and old.

That place online, my place, on PhotoShelter, is now up. You can see it at www.dominiquejames.com.

With PhotoShelter’s Beam, each and every photograph in my portfolio is beautifully exhibited. But other than just providing an “exquisite wrapper” for my pictures online, PhotoShelter is doing many behind-the-scenes heavy-lifting that makes it easy and practical for an independent professional photographer such as myself to have a really amazing online presence. What’s more is that I can now focus and concentrate on being a photographer. And, more importantly, viewers now have a beautiful experience looking at my pictures, and directly from within my website, an easy, convenient and safe way of ordering photo prints and licensing the images for personal, editorial and commercial use.

Yup, my online squatting days are over.  I’m proud of my new online home. With PhotoShelter, my pictures are homeless no more.

Blank Slates

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Michael Lopp, Rands In Repose:

This New Year, I wish you more blank slates. May you have more blank white pages sitting in front you with your favorite pen nearby and at the ready. May you have blank screens in your code editor with your absolutely favorite color syntax highlighting. May your garage work table be empty save for a single large piece of reclaimed redwood and a saw.

Turn off those notifications, turn your phone over, turn on your favorite music, stare at your blank slate and consider what you might build. In that moment of consideration, you’re making an important decision: create or consume? The things we’re giving to the future are feeling increasingly unintentional and irrelevant. They are half-considered thoughts of others. When you choose to create, you’re bucking the trend because you’re choosing to take the time to build.

And that’s a great way to start the year.

Yes, indeed!

Written by dominiquejames

January 3, 2014 at 8:54 AM

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